The Architectural Arbiter

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Architecture done correctly.
birdonwing:

Georges Lacombe (1868-1916)
“He took nature and shaped it with his brushes as deliberately as he carved it in wood.Marine bleu - Effet de vagues models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.” VIA

birdonwing:

Georges Lacombe (1868-1916)

“He took nature and shaped it with his brushes as deliberately as he carved it in wood.Marine bleu - Effet de vagues models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.” VIA



14 notes
  1. metopicsuture reblogged this from crystilogic
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  3. crystilogic reblogged this from birdonwing and added:
    Lacombe, Marine bleue,
  4. redheadquarters reblogged this from benevolessence
  5. architecturalarbiter reblogged this from birdonwing
  6. birdonwing posted this